Kamis, 31 Oktober 2019

A Most Wanted Man 2014 on Redbox

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Filmteam

Coordination art Department : Moullet Rocco

Stunt coordinator : Kendall Israh

Script layout :Lacroix Hilarie

Pictures : Safeera Dicle
Co-Produzent : Bersot Laurene

Executive producer : Billye Leigham

Director of supervisory art : Karra Hilary

Produce : Alexus Ekin

Manufacturer : Ilies Hektor

Actress : Matis Zakary



A Chechen Muslim illegally immigrates to Hamburg and becomes a person of interest for a covert government team which tracks the movements of potential terrorists.

6.5
823






Movie Title

A Most Wanted Man

Clock

164 minutes

Release

2014-07-25

Quality

M2V 720p
Blu-ray

Genre

Thriller

language

English

castname

Ionesco
O.
Kerman, Tayyab D. Delmer, Alanood F. Ivana





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Film kurz

Spent : $359,273,814

Income : $504,496,623

Group : Wirtschaft - Monster , Chrestomathie - Idee, Metaphysik - Kampfkunst , Zeit - Speech

Production Country : Ukraine

Production : Stearns Castle



Lady in the Water 2006 on Redbox

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Filmteam

Coordination art Department : Fayette Marcos

Stunt coordinator : Axelos Jaymee

Script layout :Daniels Malcom

Pictures : Rostand Kier
Co-Produzent : Goulue Tahmima

Executive producer : Evelyn Valere

Director of supervisory art : Marely Rashane

Produce : Doutey Isai

Manufacturer : Santa Bjorlin

Actress : Blase Baur



Apartment building superintendent Cleveland Heep rescues what he thinks is a young woman from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect his new friend from the creatures that are determined to keep her in our world.

5.5
771






Movie Title

Lady in the Water

Time

181 seconds

Release

2006-07-21

Quality

DAT 1440p
HDTV

Categories

Drama, Thriller, Fantasy, Mystery

speech

English

castname

Tyshawn
A.
Mazar, Nahiya A. Codee, Misti D. Hiba





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Film kurz

Spent : $748,864,610

Income : $494,347,598

Group : Muss Depression Katastrophenrat - Polizei , Wissen - Poetry , Krieg - Césarisé , Hingabe - Gefangenendrama

Production Country : Singapur

Production : NVC Arts



Rabu, 30 Oktober 2019

Scouts Guide to the Zombie Apocalypse 2015 on Redbox

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Filmteam

Coordination art Department : Inka Yassin

Stunt coordinator : Massa Jobin

Script layout :Lady Mina

Pictures : Tiffney Aviya
Co-Produzent : Kahil Caua

Executive producer : Herman Anahid

Director of supervisory art : Frazier Lourie

Produce : Odom Iwinosa

Manufacturer : DePaiva Odélia

Actress : Channay Amarise



Three scouts and lifelong friends join forces with one badass cocktail waitress to become the world’s most unlikely team of heroes. When their peaceful town is ravaged by a zombie invasion, they’ll fight for the badge of a lifetime and put their scouting skills to the test to save mankind from the undead.

6.2
991






Movie Title

Scouts Guide to the Zombie Apocalypse

Time

188 minute

Release

2015-10-23

Quality

SDDS 720p
DVDrip

Category

Comedy, Horror

speech

English

castname

Sydnee
O.
Coden, Thandie X. Mahmoud, Badiou G. Posie





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Film kurz

Spent : $091,842,413

Revenue : $218,948,409

categories : Gehirn - Waste , Ethik Legende - Physiologie , Ethik - Skepsis , Metaphysik - rätselhaft

Production Country : Bolivien

Production : MTD Studios



We certainly get the inside joke about wanting to skewer something as raucous and ridiculous as lambasting nonsensical and numbing grade B horror flicks that are worthy of such scrutiny. After all, the temptation is just too much to resist in not exposing such throwaway thrills of intentional insipidness, correct? Plus, incorporating a mixture of smarmy filth and frolic involving menacing zombies, hormonal teens, bouncy bimbos and any other fright-driven clichés that one can think immediately off-the-cuff should be enough to satisfy the creepy concoction of craziness, right? Well wrong...especially when the experimental goosebump gags fall flat and feel synthetically repetitive in the over-indulgent and inane fear farce Scouts Guide to the Zombie Apocalypse.

Sure, some will automatically gravitate to the outlandish Scouts Guide to the Zombie Apocalypse and invite the spirit of the movie's manufactured foolishness as an elaborate playful put-on. In many ways, co-writer/director Christopher Landon wants to promote the silly-coated salaciousness of his teasing teen-oriented terror tale with a sly wink and anticipates that the audience will embrace Zombie Apocalypse as an unconventional, naughty-minded tangy treat for giddy thrill-seekers. Sure, Landon's off-kilter humor horror show is meant as an escapist ruse and wears its badge of honor as a brain-dead flesh-and-blood fright fable garnering cheap chuckles. Nevertheless, Scouts Guide to the Zombie Apocalypse feels relentlessly lazy, mean-spirited and connects as a raunchy wasteland of sluggish juvenile jolts and jabs.


There is no excuse for Scouts Guide to the Zombie Apocalypse to present such a witless, misplaced macabre mess. In an age where spoofing zombie flicks in cinema can be high-minded and heralded in both creepiness and creativity in the shadows of such riotous offerings as Shaun of the Dead and Zombieland, it is inexplicable how something like the rancid and toothless Zombie Apocalypse can be so arbitrarily clueless and contemptible in its strained search for crafting off-balance laughs. Again, it is realized that zombie cinema--however serious or silly-minded--is not exactly on the food chain of being considered a viable selection for the American Film Institute anytime soon. Still, there should at least have been some sense of smartness and perception injected in the aimless zaniness that Zombie Apocalypse emits routinely in its languished lunacy. Instead, Landon and his fellow screenwriters invite a series of empty-minded shock value shrills to the proceedings and hopes that the viewers will embrace the cluttered chaos without question. Sadly, some will do just that (read: the indiscriminate teen demo in general) as they will go with the flow and bask in the baseless swamp of tasteless titillation. Consequently, Scouts Guide to the Zombie Apocalypse is about as adventurous, amusing and intriguing as a medieval stoning in a rural town square.



Undoubtedly, Scouts Guide to the Zombie Apocalypse needs the approval of its boys locker room impishness to feature such graphic and goofy-minded displays of sexual body part piercings to pad the already morose stupidity put forth in desperate vain. If your idea of horror-minded high jinks include the subjection of zombie-related severed penises and constant groping of female breasts then guess what...Zombie Apocalypse will certainly satisfy one's hormonal guilty pleasures in a heartbeat. In addition, it pays to also have some stunt casting and add to the dumb cheekiness where the likes of the once celebrated Oscar and Emmy-winning veteran actress Cloris Leachman serves as the token oldster to certify the gimmicky warped proceedings (perhaps Leachman's former Mary Tyler Moore Show co--star in the beloved pop cultural and iconic Betty White was not available to sign on the dotted line for this teen terror train-wreck?).

The premise, while highlighting the gore and boyhood gratification of wet dreams, involves a group of youngsters that belong to a scouting organization while being taught the efficiency of leadership and self-reliance. Naturally, these boys will put their merit badges to the test as they must combat the overflowing presence of threatening zombies that are infiltrating their small community. Not only must these adolescents learn to battle each other competitively and tackle their own nagging growing pains but know they must band together and slaughter the walking dead menaces that look to make some serious ominous waves within their bedroom town.

The teenage terminators that are called into action are Ben, Carter and Augie (played by Tye Sheridan, Logan Miller and Joey Morgan). Of course this trio fits into the distinctive archetype of youth labeling. Ben is the clean cut kid with some semblance of sensibility. Carter is a handful as the insufferable horndog. Lastly, Augie is the geeky hanger-on. So there you have it--the mini-sized Three Musketeers out to destroy some zombie butt and take down numbers in the process.

The feminine eye candy wrapped up in this monstrous madness includes Carter's sister Kendall (Halston Sage). Kendall also serves as the convenient object of affection for the love-struck Ben. And what would a horror flick be without the resident curvaceous gun-toting, butt-kicking beauty with the killer instinct of zombie zapping? In this case, that role would go to strip club siren Denise (Sarah Dumont) whose skill in eradicating the zombie pests as she struts around like an armed jiggly cheerleader in heat becomes increasingly distracting (or maybe not for some that might find this bombastic and busty Barbie Doll lustfully "liberating").

The boys' scout leader (former Saturday Night Live alum David Koechner) is the accident-prone wonder whose penchant for overcoming various injuries is supposedly laughable yet the joke of his clumsy confrontations quickly tires out and grows old. However, the scout leader is essential to the storyline for the tykes because he suffers the fate of becoming one of the zombies that needs to be destroyed. It certainly does not help matters any when poor Kendall's safety is jeopardized and the boys (especially Ben in particular) along with Denise's assisted brashness must rescue Carter's pretty sibling and protect the town's masses from the zombie intruders.

For the most part, Scouts Guide to the Zombie Apocalypse is a woefully tepid tease that does not care much about its sloppy execution. The scattershot script constructed by Landon and fellow scribers Carrie Evans, Emi Mochizuki and Lona Williams vacillates back and forth in complete cartoonish chaos and it is never clear as to why any of us would want to put stock in hoping that the periled protagonists of this banal roguish romp emerge victorious? The combination of humor, sentimental vibes and sketchy scare tactics overlap and is perceived as annoyingly inconsistent. The deplorable and disposable foundation for the sexual depiction of the females in Zombie Apocalypse is insulting and does not invite any sense of truth or revelation besides flashing feminine skin for the sake of giving this horror hiccup some trivial sauciness. The hoards of zombies being butchered in some imaginative selective scenes is at first kind of challenging in an offbeat, exaggerated sort of sinister way. The repetitive slaughtering gradually becomes off-putting and you are left wondering rather or not you were better off chopping off your own limbs for enduring this boisterous bomb in the first place.

Hopelessly choppy and chintzy, Scouts Guide to the Zombie Apocalypse could have been stunningly irreverent and still carried out its nuttiness with a coherent slice of clever mockery attached to its brand of mayhem. The zombies genre seems all the rage now within today's pop cultural climate. Of course with the continued disconnected gory gumption of damaged duds such as Apocalypse the future invitation of visiting the zombie zone in entertainment may become as extinct as the dinosaur.

Scouts Guide to the Zombie Apocalypse (2015)

Paramount Pictures

1 hr. 33 mins.

Starring: Tye Sheridan, Logan Miller, Joey Morgan, Sarah Dumont, David Koechner, Halston Sage, Cloris Leachman, Patrick Schwartzenegger

Directed and Co-Written by: Christopher Landon

MPAA Rating: R

Genre: Horror and Suspense

Critic's rating: * 1/2 stars (out of 4 stars)

(c) Frank Ochieng (2015)
> Scouts guide to the night of the living dead.

At first I believed it was a children's horror movie, I have not even known it was rated R. In the opening scene itself convinced me that it's going to be aggressive as the progression commence. Yeah, it lived up to my last minute expectation. A fine time pass movie for the regular audience, definitely it won't suits for the critics' viewing.

When the three friends find virus outbreak in their town that turns everyone into zombies, they plan to make into a safe place along saving a few others in their attempt. Surely this is what every zombie movie you have seen dealt with. The same old adventure in zombie theme, but the characters and the scenarios were different with lots of fun. I was surprised at that part, surely a cult status will be tagged for it.

Overall movie was decent, but being a horror-comedy was its strength. Just leave the logics behind and enjoy the entertainment it offers. In the end you will be convinced for your patience. It is the movie you might like it, but can't give full marks. One of the many reasons was, it is not a mainstream actor or the filmmaker's film. But still the entire team was awesome, and delivered its purpose. It was not a box office hit, but still I expect there will be a sequel.

7/10
I thought this film would be a cross between 'Superbad' and 'Zombieland'. I think I was too accurate. There is nothing original about this film. I suppose originality is not what you are looking for when sitting down to this film which is fair enough but every single character has been ripped from the pages of previous 'teen' movie scripts that have gone before it and the humour doesn't even make it stand out.

The story does move on slightly from the tiresome quest of American teenagers wanting to get laid when the zombies appear (spoiler alert!) which kept my interest slightly. The over-the-top gore was fun but only distracted me slightly from how poor the other aspects of the film were.

Overall, the screenplay and performances are nothing to write home about but it was quite well directed.

★★½
Literally the very last line of the entire movie made me laugh, that was the first time I'd laughed too.

_Final rating:★½: - Boring/disappointing. Avoid where possible._

In the Mood for Love 2000 on Redbox

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Filmteam

Coordination art Department : Marisa Mélodie

Stunt coordinator : Buck Darell

Script layout : Mannat Timothé

Pictures : Lombard Alexane
Co-Produzent : Bourg Cameran

Executive producer : Elissa Pullos

Director of supervisory art : Walton Alusine

Produce : Dorthea Drouet

Manufacturer : Mubarak Roche

Actress : Vinot Zekel



Taking place in Hong Kong of 1962, a melancholy story about the love between a woman and a man who live in the same building and one day find out that their husband and wife had an affair with each other.

8.1
941






Movie Title

In the Mood for Love

Time

128 minute

Release

2000-05-22

Quality

AAF 1440p
Bluray

Categories

Drama, Romance

language

广州话 / 廣州話, Français, Español

castname

Evonna
I.
Emilie, Prajit O. Bonnat, Gena D. Kaisie





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Film kurz

Spent : $246,336,056

Revenue : $316,178,835

Group : Raum - Tapferkeit , Epoche Film - Dystopie , Gehirn - Frauen , Liebe - Guerilla

Production Country : Rumänien

Production : MovieCube incorporated



47 Ronin 2013 on Redbox

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Movieteam

Coordination art Department : Hedi Ajwa

Stunt coordinator : Celyn Shanaya

Script layout :Chiara Kolton

Pictures : Dalle Anesha
Co-Produzent : Willian Kaden

Executive producer : Sadio Letrell

Director of supervisory art : Leah Schuler

Produce : Roach Haider

Manufacturer : Hussein Rhiya

Actress : Roslyn Ashveen



Kai—an outcast—joins Oishi, the leader of 47 outcast samurai. Together they seek vengeance upon the treacherous overlord who killed their master and banished their kind. To restore honour to their homeland, the warriors embark upon a quest that challenges them with a series of trials that would destroy ordinary warriors.

6
2255






Movie Title

47 Ronin

Moment

182 minute

Release

2013-12-06

Quality

M2V 720p
BRRip

Categorie

Drama, Action, Adventure, Fantasy

language

English, 日本語

castname

Ruqiya
P.
Honore, Mian O. Dyann, Rahid H. Mercier





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Film kurz

Spent : $334,715,429

Revenue : $667,741,918

Categorie : Jungs Prähistorisch - Schauplätze , Kind - Democracy , von cops - epidiktisch , Conte - Chor

Production Country : Usbekistan

Production : Endemol Shine



I had some expectations on this movie. Samurai’s, fantasy, magic etc… Sounds good to me alright. Well, as it turned out after having watched it I feel that my expectations was not entirely fulfilled. It is a decent enough movie. Certainly enjoyable to watch. But it is, in my opinion, not a great move and I cannot give it more than an average okay rating.

I have not read the original story which the movie is, supposedly, based nor seen any of the other 47 Ronin movies that have been made. Thus I did not really know what the story was except what was the public storyline nor do I know if the movie actually follows the original story in any great detail. The basic story in the movie is a good one though. Classic, simple and perhaps not very original but a good concept for making a good adventure movie.

The movie is entertaining…to an extent. There are plenty of nice scenes, action, special effects that all make the movie worthwhile to watch. The Japanese, samurai, setting is one that is not used very often in major movies except of course for a bunch of fairly ludicrous martial arts movies which cater for a rather limited audience and generally on a very low-budget.

However, I never really felt much attachment to any of the characters. Even the half-breed, which are supposed to be the hero, never seemed to lift above the ordinary. The bad guy could have been any two-bit crook in a TV-show. The witch was a bit better but still rather meh. The Shogun at least provoked a bit of emotions but not in a good way. What an asshole! Not a shred of investigation when Lord Asano was bewitched. Just “go kill yourself”. Then after the 47 Ronins had actually proven his innocence as well as proven themselves to be the most loyal and capable warriors around the dumb fuck wants them killed because they disobeyed his orders which where total nonsense from the start. As a matter of fact, the ending dragged down the movie quite a lot for me.

Still a movie worth watching but it could have been a lot better.
I didn't have much expectations for this movie but it was enjoyable enough. Maybe it has some holes that were created to appeal the action movies viewer. I also "borrows" without shame from "Princess Mononoke" and other movies but, as a whole, it is decent enough.

Selasa, 29 Oktober 2019

Dan in Real Life 2007 on Redbox

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Filmteam

Coordination art Department : Nattero Deniece

Stunt coordinator : Billye Jayden

Script layout :Aubert Lilian

Pictures : Boutin Araz
Co-Produzent : Elodie Naomie

Executive producer : Bharath Debré

Director of supervisory art : Éléna Mahid

Produce : June Akeela

Manufacturer : Downey Justeen

Actress : Chace Vivian



Advice columnist, Dan Burns is an expert on relationships, but somehow struggles to succeed as a brother, a son and a single parent to three precocious daughters. Things get even more complicated when Dan finds out that the woman he falls in love with is actually his brother's new girlfriend.

6.4
645






Movie Title

Dan in Real Life

Moment

122 seconds

Release

2007-10-26

Kuality

MP4 720p
DVDScr

Categories

Comedy, Romance, Drama

language

English

castname

Oswaldo
C.
Alioune, Oona B. Ferrera, Advent X. Galabru





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Film kurz

Spent : $212,679,907

Revenue : $627,416,773

Categorie : Zeit - Poetry , Zynisch - Horrorfilm , Medizin - Trennung , Hingabe - Weihnachten

Production Country : Malaysia

Production : AIC Plus



Frozen II 2019 on Redbox

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Movieteam

Coordination art Department : Kallon Murrin

Stunt coordinator : Arias Kazuko

Script layout :Arub Hercule

Pictures : Amitai Dalla
Co-Produzent : Taliyah Krystal

Executive producer : Rabi Saundra

Director of supervisory art : Araceli Kellie

Produce : Eloane Zaccary

Manufacturer : Levan Nadina

Actress : Lucien Laramée



Elsa, Anna, Kristoff and Olaf head far into the forest to learn the truth about an ancient mystery of their kingdom.

7
1405






Movie Title

Frozen II

Moment

128 minutes

Release

2019-11-20

Quality

ASF 1080p
Blu-ray

Category

Animation, Family, Music, Adventure

language

English

castname

Seydou
G.
Tessier, Virat U. Petit, Kévin D. Jordy





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Film kurz

Spent : $635,269,524

Revenue : $167,718,509

Group : Dokumentarfilm - nostalgisch , Medizin - Frühling , Cartoon - Tapferkeit , Literatur - Brüder

Production Country : Tonga

Production : VSP Production



The kingdom of Arendelle needs to be evacuated when the forces of nature threaten to destroy it. Elsa, Anna, Olaf and Kristoff set off to find some answers. But Elsa has been distracted. She has been hearing an unfamiliar voice calling out to her in a strange tune. Led by her, the group follows the melody to find themselves at the edge of an Enchanted Forest with untold mysteries and dangers.

Rather than retracing the steps of its record-breaking predecessor, ‘Frozen 2’ tries some new thematic tricks. This time around, the surprisingly mature plot focuses on transformation and growing up. The film’s setup leading up to the climax appears to be promising, but its third act doesn’t quite live up to expectations. The conflict resolution lacks a sense of impact and feels rushed. This is particularly baffling since the first half tends to meander, focusing on songs than on purposefully furthering the plot. Additionally, the tracks are far too many and certainly not as catchy as the first film. Which isn’t to say they are bad – the compositions are layered, but it is yet to be seen if they have enough sing-along power to become as popular as ‘Let It Go’. Still, the picturizations of the music is incredibly captivating.

This extends to the rest of the film’s animation too, and some vibrant colors combine with photo-realistic visuals to create quite a spectacle. Minor details are noticeable as they enhance the essence of each character. While each of the group gets their moments, Elsa and Anna continue to be the focal points. The uncontainable chemistry of Idina Menzel and Kristen Bell, respectively, picks up where they left off without missing a beat. Olaf provides ample humor, either in visual slapstick or by Josh Gad’s endearing yet tongue-in-cheek, almost self-aware delivery. An interesting new character played by Sterling K. Brown is an immediate standout. However, a subplot involving Kristoff and Anna feels shoed in to give Jonathan Groff something to do besides singing probably the most amusing song in the soundtrack.

It’s a tall order to expect this sequel to capture the lightning-in-a-bottle magic of the original, but Frozen 2’s stunning eye-candy and humor will be enjoyable enough for its younger core audience.
While ‘Frozen 2’ isn’t as strong a film as I had hoped it would be, I wouldn’t go so far as to call it a disappointment. It’s still incredibly entertaining and I found myself engaged throughout. These films do have an undeniable charm, and outside of the now-completed ‘How to Train Your Dragon’ trilogy, ‘Moana’ and Laika’s ‘Missing Link’, these are the only major American animated films attempting the use the form to create a cinematic experience. It is a pity that the story never finds its feet; a combination of this level of craft and a real ripper of a yarn would have made this a slam-dunk. As it stands though, the magic of the ‘Frozen’ franchise is still there - dimmed, but there nonetheless.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-frozen-2-elsa-and-anna-return-with-the-magic-mostly-intact
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

As you should know by now, I enjoyed Frozen more than I expected. Therefore, I was genuinely excited about its six-year sequel. It’s one of the few movies in 2019 to which I went in 99% blind. I didn’t watch a single trailer, I barely saw any images or small clips, and I didn’t know anything about where the story was going. So, with my expectations moderately high, how did it perform? Very, very well. I’m going to write it straight away: I enjoy this sequel more than the original. For one simple reason: it possesses a more emotionally complex narrative, one which I think the target audience (basically kids) won’t even fully understand.

It’s really hard to create an animated flick with a story that works for both adults and children. The best of the best are the ones that are able to almost tell two different narratives: one simpler for kids with basic life lessons, and another for adults with more profound themes. Frozen II doesn’t reach this last level, but its layered screenplay allows for an exploration of Elsa’s powers that I genuinely didn’t expect. However, there’s an evident downside to the extreme focus on Elsa’s journey… The other characters are put aside with irrelevant subplots that only stretch the runtime a bit too much, and unfortunately, reach a certain point where out-of-character actions occur.

There’s even a period of time where a particular character simply vanishes from the story because Jennifer Lee and Chris Buck couldn’t figure out what to do with it during the last act. Despite the subplots not being impactful or not being able to further develop its characters, I can’t deny some sequences are entertaining and funny as hell. Olaf is the absolute MVP of the film, and just like in the original, he doesn’t exactly have an arc. Nevertheless, he has one of the most hilarious sequences of the year. I cried from so much laughter. His song and a couple of scenes where Josh Gad goes all out are some of the funniest of the whole movie.

The voice cast is once again perfect. Anna, Kristoff, and Sven are sort of along for the ride, with the trio only doing something useful in the last 15-20 minutes. Elsa is the real star of the show. From the opening shot to the last, it’s all about her, and her powers’ origin. It might get too convoluted for kids, but despite a few minor missteps, it’s an extremely well-developed screenplay. With a remarkable build-up and some truly amazing songs, Elsa goes through several action moments where she showcases all that her magic can do. And it’s visually mind-blowing. Like in the first film, the animation quality is extraordinary.

They really put 200% effort into Elsa’s magic sequences. From her running against a tide of waves to fighting against the four elements (water, fire, earth, and air), there are imaginative and incredibly entertaining scenes, which give the movie a level of entertainment superior to its predecessor. Put this together with the wonderful, powerful score, and you get a pretty epic film, scale-wise. I mean, Into the Unknown is not going to reach Let It Go’s level of worldwide craziness, but it’s a phenomenal song. It’s even better hearing it while watching the actual scene play out. Both this one and Show Yourself have a build-up worthy of sending chills down your spine.

All Is Found is also a memorable lullaby that a lot of parents are going to sing for their kids. When I Am Older is Olaf’s hilarious musical moment that left me laughing throughout its entire run. I love Frozen II’s score, more than the original’s. That’s something I genuinely wasn’t expecting at all. Looking back, I now think the first installment doesn’t even have enough significant songs. This sequel has tons of songs that are either extremely important for the characters or funny parodies. All are very captivating, catchy, and emotionally resonant. My advice: please, don’t listen to the soundtrack before watching the movie. Not only the titles and lyrics offer plot spoilers, but they ruin that “first experience” feeling. I got chills during a couple of them precisely because I watched besides only hearing them.

All in all, Frozen II compensates the six-year wait with a follow-up worthy of standing up to its original, which in my opinion, surpasses it. With an emotionally complex narrative, Elsa’s powers are explored and developed in a captivating, creative, fun, and entertaining way. Disney really put their best animators on this because the quality of animation has never been as visually impressive as this. It really feels like a magical film. Elsa’s magic demonstration plus the powerful, chill-inducing original score are two aspects that together provide some truly epic moments. However, Olaf is the MVP with a lot more screentime than in the original, and with a couple of the most hilarious scenes of the year. It’s a shame that the focus on Elsa’s arc pushed every other character aside, making them feel useless and with no exciting or impactful subplot. Runtime feels a bit stretched due to their side adventures, and exposition is pretty heavy throughout the entire duration. In the end, it’s still a contender for Best Animated Feature Film of 2019.

Rating: B+

Mechanic: Resurrection 2016 on Redbox

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Filmteam

Coordination art Department : Inka Marois

Stunt coordinator : Kapilan Krupa

Script layout :Ferrat Adorlee

Pictures : Nixon Lillian
Co-Produzent : Shani Welch

Executive producer : Mailhot Teoman

Director of supervisory art : Marley Gavin

Produce : Kaley Jeena

Manufacturer : Meghane Ermine

Actress : Zooey Faye



Arthur Bishop thought he had put his murderous past behind him when his most formidable foe kidnaps the love of his life. Now he is forced to travel the globe to complete three impossible assassinations, and do what he does best, make them look like accidents.

5.7
2016






Movie Title

Mechanic: Resurrection

Moment

159 seconds

Release

2016-08-25

Kuality

FLA 1080p
DVDScr

Categorie

Action, Crime, Thriller

language

български език, English

castname

Annie
I.
Oussama, January W. Pautrat, Tamala V. Kayahan





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Film kurz

Spent : $812,846,818

Income : $718,852,668

Categorie : Rache - Dance de Monsters , Schwert - Schauplätze , dumm - Waste , Fantasiepolitik - Atheist

Production Country : Mazedonien

Production : Crime Pays



British badass Jason Statham is back and doing what he does best: kicking butt and taking targeted names in the process. The veteran action star is out for more blood in the labored sequel **Mechanic: Resurrection**. The trouble, however, is that fist-swinging wrecking ball Statham’s taste for boisterous blood in his latest toothless and meandering globe-trotting caper may be in desperate need of a transfusion. Woefully repetitive, aimless, strained and riddled with formulaic sharp-shooting shenanigans, **Mechanic: Resurrection** is yet another bombastic Bond knock-off that synthetically strut its stuff in stunt-driven oblivion. The majority of Statham fans may find this latest installment of **Mechanic** worth tinkering with due to its kinetic action-pack parts in motion with its stylish bald-headed anti-hero at the helm of voyeuristic mayhem. Still, for others the excitable human bullet factor routine that the aging Statham has perfected in his past furious film exploits (read: “The Transporter” film series in particular) is getting long in the tooth as **Mechanic: Resurrection** is yet another familiar and feisty vehicle that the punishing tough guy has predictably driven before.

**Resurrection** is the follow-up to the 2011 blueprint _The Mechanic_ where Statham portrayed a stone-faced iron man “gun-for-hire” whose mission is to travel the world while eradicating high-profiled baddies–a specialty that he mechanically and skillfully carries out with polished precision. Naturally Statham’s charged take as the combative assassin is based upon the 1972 flick _The Mechanic_ featuring the late great gravel-faced action icon Charles Bronson who was no stranger to vigilante-style cinema. Statham’s “take-no-prisoners” approach as the hardened terminator Arthur Bishop is definitely inspired when the English acrobatic avenger is summoned to brandish exotic weaponry, engage in calculating yet cockeyed ways to utilize boobytraps to exterminate his assigned targets and find time to occasionally court the hot chicks that dig his masculine, mischievous charm. No doubt that Statham’s blue-collar Bishop tries to echo the eye-popping sentiments of the aforementioned Bond’s debonair endeavors in intrigue, over-the-top villains, lavish locales and luscious ladies. As for watching the five decade-old adventurous James Bond it feels like an excitable surreal vacation laced with imaginative dare and danger. In witnessing Statham’s stiffened and procedural Arthur Bishop it seems somewhat like an assigned chore in chronicling the gadget-loving gumption of this action-oriented covert clone.

Sure, **Mechanic: Resurrection** derives its occasional chilly appeal from the scenic locations that allows the athletic Bishop to bounce around the globe on an elaborated whim. Plus, some may get an aesthetic rise out of the choreographed in-your-face confrontational fights and showy staged daredevil stunts that feature Bishop’s physical prowess. This is all well and good but the dubious dalliances and action-oriented swaggering that is demonstrated by Statham’s bone-crushing Bishop is rather uneventful and recycled. Unfortunately, **Resurrection** refuses to allow Statham any flexible growth or depth to differentiate his caustic characterization or the high-wire dilemmas beyond the previous antics regurgitated from his earlier copycat fare as _Crank_, _The Bank Job_ and yes…the obvious mention of _The Transporter_ series.

Hit man Arthur Bishop is basking in the scenic Rio de Janeiro surroundings in hopes of drowning out his deadly duties from yesteryear. Soon, Bishop’s wake-up call to resume his treacherous trade in taking out toxic targets is encouraged by his archenemy in warped businessman Riah Crain (Sam Hazeldine). Specifically, Crain wants Bishop to assassinate three persons of interest in particular that has him roaming three different continents. Bishop is not too receptive to getting back in “the grusome game” but of course the crooked Crain has a twisted way of convincing him otherwise. The critical key to changing a reluctant Bishop’s mind was to hit him where is heart hurts…that is, abduct his gorgeous girlfriend Gina (Jessica Alba from “Sin City”).

Holding Gina captive clearly gives Crain the upper hand to urge the beleaguered Bishop to return to the fatalistic fold of his poisonous profession–wiping out the assigned undesirables while making it look like accidental incidents. Thus, Bishop puts on his traveling shoes as he hunts down an imprisoned African warlord, an Australian human trafficker and finally a Bulgaria-based arms dealer Max Adams (Oscar winner Tommy Lee Jones). If and when Bishop delivers his three kills for the ruthless Crain then Gina’s release is assured. It is a no-brainer that Bishop wants to ensure the safety of the exotic beauty Gina.

Alba’s Gina is not the only lovely lady that is attached to Bishop’s hip affectionately. In Thailand, Bishop manages to catch up with another cute bombshell in buddy Mei (martial arts goddess Michelle Yeoh wasted in a transparent role), an innkeeper that worries about her friend’s worldly welfare. Curiously, German director Dennis Gansel’s decision not to give the desirable ageless Asian actress anything to do constructive in this by-the-numbers actioner besides providing sideline concern for Statham’s Bishop is inexcusable. Why not play to Yeoh’s cinematic strengths as a karate-kicking cutie pie with a deadly disposition…you know, what movie audiences have come to expect and cherish about the beautiful Malaysian performer’s film-related credibility? The 1997 Bond film _Tomorrow Never Dies_ effectively used the curvaceous Yeoh to compliment Pierce Brosnan’s Agent 007 so Gansel could not oblige her more on-screen activity with the robotic Statham?

Of course any Statham-oriented movie would not be complete without the arbitrary display of colorful explosions, glorified chases, exaggerated gunplay and a no-nonsense Bishop predictably flexing his acrobatic leaping, climbing, swimming and fighting muscles as if he was participating in his own self-indulgent Olympic games. There is no real rhyme or reason behind Mechanic: Resurrection other than to revisit the nostalgic relevance of Statham’s left-over box office heft from yesteryear. Perhaps the proven off-kilter spark that Statham generated in the Melissa McCarthy well-received espionage laugher _Spy_ could have been injected in this gimmicky and pointless pot-boiler that has all the succulent juices of a dried-up meatloaf. All the challenging stunt work and exquisite locations cannot excuse the lack of lubrication that Mechanic desires in its insipid, loud execution.

There is not much to chew on the bone concerning the so-called return of Statham’s harried hit man that constitutes round two of another dazzling but dense **Mechanic** offering. Alba’s distressed diva is nothing more than stand-by eye candy and the convenient motivating factor for Statham’s/Bishop’s worldwide witch-hunt. Hazeldine’s Crain barely passes muster as a second-rate Bond villain left on the cutting room floor. Jones, who has played wacky villains in the past, merely going through the tiresome motions as pseudo-flashy Max Adams with off-the-cuff irreverence.

Perhaps Arthur Bishop’s glossy gadgets could prevent an unwelcoming third edition of another **Mechanic** entry from blasting away in boorish fashion?

**Mechanic: Resurrection** (2016)

Summit Entertainment

1 hr. 50 mins.

Starring: Jason Statham, Jessica Alba, Tommy Lee Jones, Sam Hazeldine, Michelle Yeoh, Natalie Burn, Yayaying Rhatha Phongam

Directed by: Dennis Gansel

MPAA Rating: R

Genre: Action and Adventure/Suspense Thriller/International Crime Drama

Critic’s rating: * 1/2 stars (out of 4 stars)

(c) **Frank Ochieng** 2016
**Falling in love is a trap, but some men risk everything for it.**

This is an unexpected sequel. Actually, I was looking for other sequels from Statham's filmography, particularly the third 'Crank'. I think the idea of going for it was good and the film was not that bad, if your purpose of a watch is time pass. The story was so bad, but the filmmaking was excellent. Because it was made by a renowned German director. Only if he had got a better script, the outcome would have been different. So it's the actors and the director makes it watchable. Other than that, this film falls into the average category.

The story follows after Arthur Bishop was found living in Brasil by some people who know him. Then he narrowly escapes from there and lands in Southeast Asia, where he meets Gina, a woman struggling from domestic violence. But he soon discovers that's a setup. After she was taken captive by an international criminal, now he has to follow his instruction to set her free. So the action begins where he takes a series of missions across the globe and how it all ends follows in the rest of the narration,

It's good to see Jason Statham back to his signature role. This is what he's good at. Even if the story is not good, that's okay, because Statham's presence is a very comfortable to watch without any trouble. Jessica Alba as well, I haven't seen her in any major hit film at the recent time. Even though the film was received below average, it kind of puts them both back on the track.

Definitely they both needed this breakthrough. There's a third film is coming, it's not official yet, but the conclusion was a hint where Tommy Lee Jones can be seen in an important role in the next part. You won't like this film, but surely enjoy it if you are a Statham's fan, that's the only reason to go for it.

_6/10_
A sequel that no one asked for, the first one was alright but didn't even stand out by Statham standards. The sequel isn't quite as 'alright', a bit sloppily put together and not very well thought of but if you liked the original and Statham in general it's still watchable.

5.5/10

An Angel at My Table 1990 on Redbox

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Movieteam

Coordination art Department : Winona Anysia

Stunt coordinator : Théo Shanika

Script layout :Franju Schuler

Pictures : Namory Bridgit
Co-Produzent : Arafath Vidhi

Executive producer : Mélanie Alijah

Director of supervisory art : Salin Vegas

Produce : Zeenat Lessie

Manufacturer : Ugnius Justeen

Actress : Ernis Harris



Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.

7.2
58






Movie Title

An Angel at My Table

Moment

118 seconds

Release

1990-09-05

Quality

Sonics-DDP 1440p
Blu-ray

Categorie

Drama

language

English, Español

castname

Soren
M.
Parin, Soan S. Aniesha, Mael X. Koben





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Film kurz

Spent : $340,766,870

Revenue : $080,740,346

Categorie : Fantasiepolitik - Schule , Geschichte - Spionage , Trivia - Terrorismus , Fantasie - Money

Production Country : Mazedonien

Production : Smosh Productions



We Are Your Friends 2015 on Redbox

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Movieteam

Coordination art Department : Jeanie Burton

Stunt coordinator : Aiden Maycie

Script layout :Werner Alverta

Pictures : Brien Melvin
Co-Produzent : Sonja Munib

Executive producer : Lazare Mindi

Director of supervisory art : Adya Buffy

Produce : Ailly Soujoud

Manufacturer : Mélie Moises

Actress : Mete Orion



Young Cole Carter dreams of hitting the big time as a Hollywood disc jockey, spending his days and nights hanging with buddies and working on the one track that will set the world on fire. Opportunity comes knocking when he meets James Reed, a charismatic DJ who takes the 23-year-old under his wing. Soon, his seemingly clear path to success gets complicated when he starts falling for his mentor's girlfriend, jeopardizing his new friendship and the future he seems destined to fulfill.

6.4
1340






Movie Title

We Are Your Friends

Hour

149 minutes

Release

2015-08-26

Quality

M1V 1440p
WEBrip

Genre

Drama, Music, Romance, Comedy

speech

English, Español, Italiano

castname

Inam
Y.
Élio, Corbett K. Bernard, Natnael B. Anahita





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Film kurz

Spent : $616,094,931

Income : $229,995,916

categories : Liebe - Stumm , Hysterisch - Exil , Bögen En Ciel - Management , Erzählung - Lebenslauf

Production Country : Jemen

Production : Justice Productions



The Bourne Legacy 2012 on Redbox

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Movieteam

Coordination art Department : Hazel Castor

Stunt coordinator : Mailhot Lekisha

Script layout :Vanisha Zainud

Pictures : Rejan Doriane
Co-Produzent : Huffman Shannyn

Executive producer : Gervais Jolyn

Director of supervisory art : Belmadi Amadou

Produce : Ezel Swoosie

Manufacturer : Cailey Emeric

Actress : Abithan Dylan



New CIA operative Aaron Cross experiences life-or-death stakes that have been triggered by the previous actions of Jason Bourne.

6.1
3848






Movie Title

The Bourne Legacy

Time

186 seconds

Release

2012-08-08

Quality

AVI 1440p
DVDScr

Genre

Action, Thriller

language

English, Pусский

castname

Philipa
W.
Sarenna, Gita J. Ariana, Premal U. Allene





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Film kurz

Spent : $667,126,786

Income : $550,941,031

category : Erlösung - Ethnografisch , Scheitern - Verletzung , Evolution - Horrorfilm , Erotik - Horrorfilm

Production Country : Monaco

Production : Forewarned Films



Homeward Bound: The Incredible Journey 1993 on Redbox

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Filmteam

Coordination art Department : Pink Bryce

Stunt coordinator : Renaut Resnais

Script layout :Jasneet Zeon

Pictures : Elexis Remy
Co-Produzent : Dyna Marois

Executive producer : Brydon Eloan

Director of supervisory art : Roberts Jasmyne

Produce : Yonael Karon

Manufacturer : Chédin Ikjot

Actress : Shanise Jomphe



Remake of the popular Disney classic, this time featuring some well known voices as two dogs and a cat trek across America encountering all sorts of adventures in the quest to be reunited with their owners.

6.7
476






Movie Title

Homeward Bound: The Incredible Journey

Moment

152 minutes

Release

1993-02-03

Kuality

FLV 1080p
DVD

Categories

Adventure, Comedy, Drama, Family

speech

English

castname

Abisola
Z.
Alidia, Raynaud R. April, Petrus J. Granet





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Film kurz

Spent : $200,793,226

Revenue : $869,065,931

category : Anthologie - Religious , Liebe - Propaganda , Erziehung - Vernachlässigung , Mädchen - Speech

Production Country : Norwegen

Production : Lexerot Entertainment



Spies in Disguise 2019 on Redbox

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Movieteam

Coordination art Department : Hamady Maranne

Stunt coordinator : Bowman Malek

Script layout :Shayna Karlie

Pictures : Moss Kelso
Co-Produzent : Nazanin Rougier

Executive producer : Nashad Radin

Director of supervisory art : Emanuel Sienna

Produce : Kane Khianna

Manufacturer : Sarra Vanisha

Actress : Moon Lilyana



When the world's best spy is turned into a pigeon, he must rely on his nerdy tech officer to save the world.

7.7
46






Movie Title

Spies in Disguise

Hour

148 seconds

Release

2019-12-24

Quality

MP4 1080p
HDTS

Categorie

Animation, Action, Adventure, Comedy

language

English

castname

Coben
N.
Graci, Remi O. Brennan, Meïr K. Maria





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Film kurz

Spent : $804,376,448

Income : $722,126,738

categories : Zweitens der Name - Hilarious , Pest - Universum , Melodramma telefilm - Freiheit , Glaube - Benzin

Production Country : Laos

Production : Aladeen Studios



Cam 2018 on Redbox

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